All-in-one director’s monitor solution
Combining a wireless video transmission and high-quality HD monitor, the FEELWORLD FT6, FR6 wireless monitor to create ultra light, cable-free monitoring kit that gives you complete mobility on set. Using 2*2dBi antenna technology and H.264 encoding and decoding technology for professional image processing, clearer image and lower latency. The FR6 can receive uncompressed HD wireless signals from FT6 transmitter.
Ideal for mobile shooting
Although built-in wireless image transmission, the FT6 and FR6 maintain a slim shape. 5.5 inches small size and only 370g weight, which is the ideal for on-site mobile shooting.
800FT reliable wireless transmission with only 0.07s latency, can satisfy the requirements of more professional live streaming and monitoring.
Support 1080P60, 1080P50, 1080i60, 1080i50, etc. common video formats, can easily handle whether it is for directors, photographers monitoring, or live video transmission.
Bring you more stable pictures
There are 11 signal channels for selection for the wireless monitor. You can choose the best channel freely. When you don’t need the transmission function, you can long press the power icon to turn off. Plus, there is WPS pairing function. When you need to replace the transmitter or receiver, please long press WPS of both the transmitter (TX) and receiver (RX) about 1 second to enter the pairing mode, and wait for the pairing to success.
Better viewing and capture every Detail
The 5.5″ IPS screen features a 1920 x 1080 resolution, packing 400 pixels per inch and provides a wide viewing angle of 160°and for easier off-axis position monitoring. Built-in 3D LUT color calibration, which complies with the standard of REC-709, can calibrate each monitors so that it can eliminate the trouble of color cast.
Make your filming more efficiency
The built-in monitor is also an interactive touchscreen that makes setting up the FT6, FR6 incredibly intuitive. All of the functions are at your fingertips, allowing you to use simple tap and swipe gestures to change function settings. You can use two-finger zoom gesture to easily and intuitively zoom in and out of the shooting screen. Plus, they also support physical buttons control. Tap/Rotate the wheel button for quick selection and function settings. Tap the power switch to turn off the touch function, designed to prevent misuse.
Long press to turn on and off the power; short press to turn on and off the screen touch function.
When the monitor and touch are both on, continuously click the screen twice to enter the main menu.
Swipe up from the bottom of the screen to open the shortcut menu and click on the corresponding menu to open or set the corresponding function. Double-click the shortcut menu function and select the function setting with the “<” or “>” key.
3. On the left side of the screen (1/2 split screen), you can directly adjust the brightness of the screen backlight; on the right side of the screen (1/2 split screen), you can directly adjust the volume.
4. Swipe from the right side of the sceen to left to open the channel display. There are 11 channels for selection.
5. 5. Click any space beside menu to exit the menu.
Accurately exposure and focus every shot
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, audio meter, focus peaking, zoom, zebra, false color, frame guides, safe area, etc.) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files), HDR monitoring and options for anamorphic de-squeeze monitoring.
Support 50 LUTs
Some cameras can output logarithmic colors pace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a “look” to the monitor so you get an idea of how the finished images will look like when editing. You could use 4 built-in LOG to Rec.709 video or upload .cube files ( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65.). FT6, FR6 allows you to load internally up to custom LUTs (Up to 50 user files can be imported), looks or profiles at any time via the TYPE-C interface to USB . Slot and instantly select between them, maintaining creative intent, always.
For incredible clarity and detail
FT6, FR6 have built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Both FR6, FR6 with HDMI input and output signal interfaces, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It’s the ability to display live picture on multiple displays at once while still maintaining the original video quality. Plus, you can monitor audio using the 3.5mm stereo headphone jack.
The FT6, FR6 provide auxiliary power out (DC OUT 8V), allowing shooters to power their cameras. With a battery adapter cable (Optional), extend camera run-time, while providing a more usable display.
Barrel output for powering your camera with a separately available DC coupler via adaptor (NP-FW50 Sony & LP-E6 Canon & DMW-BLF19 Panasonic). More adapters coming soon.
Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.
FR6 receives the video from FT6 can be output to other monitors (same screen display) through HDMI OUT, convenient for the director and photographer to monitor at the same time.
Support dual F970 batteries power supply
In addition to the 12V universal power supply; FT6, FR6 also have dual battery slots in the back. You get 2 rear battery slots for mounting Sony L Series batteries, so you have enough power for the screens. Plus with 2 battery slots, you can change batteries without interrupting monitoring, just need to double-click the battery icon on the upper right corner of the monitor, after about 3 seconds switch to the other battery. The monitor install one F970 battery (6600mah) last for about 2 hours, and install two F970 batteries last for about 4-5 hours. You can choose install 1 or 2 battery base on your need.
Compatible Battery: Sony F970, F960, F950,F930, F770, F750, F730, F570, F550, F530, QM91D, QM91, QM90D, QM90, QM71D, QM71, QM70D, QM70, QM51D, QM51, FM71, FM70 series. (Note: the battery not including, please purchase separately)
When both the two battery plates of FT6, FR6 are installed with batteries, the upper right corner of the monitor will display the battery level. White indicates the using battery, gray indicates non using battery. Double-click the battery icon, after about 3 seconds switch to another battery. There will be a red prompt when the battery is almost dead, please replace the battery in time.
Avoid the interference of outdoor strong light
The FT6, FR6 wireless monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.
800FT transmission range with 70ms ultra-low latency and other advance features make FT6, FR6 suitable for film crew shooting. Ideal for the director and the photographer.
FT6, FR6 can be option equipped with an innovative design handle, which makes the monitor easier to hold and the screen more stable.
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